Throughout my life I have seen my culture misrepresented more times than I have seen it given the voice it deserves. When beginning this series I was not sure how the natural narrative would flow, although I did know I wanted to attempt to present the people I shot in a different, more free light. The idea initially came to me during Lumbee Homecoming, and I immediately sought out guidance from a close friend Summer Raine Jacobs of the Waccamaw Siouan Tribe. Within our conversations we had a mutual understanding of the need of South Eastern tribal representation. And so, most of the jewelry, or accessories that are presented within the modern aspect of the series are Southeastern Pieces; while the traditional is more powwow and a bit more eclectic. As I previously stated, I have seen nothing but misrepresentation since I was a small child during a time when I began comprehending the way Indigenous peoples are depicted within the media. In almost every instance they are Native populations from the mid-west such as Plains tribes. They too are misrepresented, yet they are still what every person from the outside looking in expects to see when you mention you are Native American, they want a"real indian". This series will hopefully aid in gaining awareness for the many many tribes that remain after removal. I wish to move away from the "Hollywood Indian", the mascot, the stereotype. For this series I want to represent my people in the way they present themselves everyday, as well as show the traditional regalia that hold stories, prayers, and the hearts of those who built them from the ground up. We are a living, breathing, hardworking people attempting to constantly better ourselves. Who we are without being in full regalia? Who are we while we are in full regalia? In what ways, as a modern people, are we connecting to our culture day to day with our fashion. Whether that be in your: jewelry, accessories, hair, clothing, tattoos, etc. How do we show who we are without words?
The title of this series has multiple meanings. There is the Traditional Rebirth that I am representing in the multiple photographic narratives that are to come. As in we as a modern people taking what has been handed down to us a reimagining the ways it can be made into something everyday wearable. There is also the Traditional Rebirth of more Native peoples becoming more and more knowledgeable on their heritage, what they have inherited from generations past. And so, that is a Traditional Rebirth in the sense of cultural revitalization. Youth and elders alike are learning of their people, and like me, are finding unique ways to represent themselves as well as those before/those to come. This first installment is of my dear friend Genna Da'Shae Locklear who is working towards her Doctorate in Physical Therapy. She is brilliant, as well as resilient. She pushes the boundaries that are placed before her all the while being and advocate for her people, culture, and history. Part II will soon follow.
